Monday, November 24, 2014


Both my printer and my disc burner died this weekend.  Obviously this sets things back a bit in terms of production.  I know some people are waiting on the "Fargo: Complete" box sets-I have not forgotten, and I know they're taking longer than expected-school is just taking up a lot of time!  More than I had thought.  The semester ends in a couple weeks; after that I will acquire a new printer and disc burner and move forward.  The "Fargo" material is all done-just need to finish up the artwork for the box set layouts and put them together.  For those waiting, my apologies.  It's coming.
Once things are back up and running, I'll be working to get out a few things that have been on deck for awhile: my own reworks of Hitchcock's "Notorious," three records from Roadside Picnic, the Crown Of Bone "Evil Dead" double CD, more "Blue Velvet" volumes, a new record from Windom Earle, and more.  In the meantime, I have new work out on Occult Supremacy (the Lindskold reissues plus the "Seven Deadly Sins" comp, which features a new and ripping Fantome De Sang track-i'll have artist copies of these, but if you're in the USA PLEASE buy these from Dustin and OSP-he's worked really hard to get them out the label is great)) and Vagary Records (already sold out, but I think i'll get some artist copies-watch the AOW store, as they'll go FAST!) to tide people over.
As always, thanks for the patience.  I'll be back up and running as soon as I'm able.


Tuesday, November 11, 2014


Second AOW outing for the mighty Heavy Metal Vomit Party, this time using Night Ranger's "Dawn Patrol" tape as source material.  Joe the Stache completely obliterates the tape here, destroying it utterly and transforming the tracks into some cripplingly severe audio devastation.  This is some seriously mid-tone/trebly, awesomely loud tape waste-one of the more brutal listens I've had in awhile, a scorching holocaust of cassette-slaying horror and heavy metal excess.  No numbing HNW stagnancy here-it's all an assault.  As usual with HMVP, the titles are hilarious, but the music is deathly serious.  You will not emerge unscathed by HMVP's caustic attack.  Don't tell me you love me-just cut up a few lines of cocaine, grab a few bottles of whiskey, and herd a few groupies onto the bus.  It's going to be a long night (ranger.)
Packaged in a DVD case, with a small insert, in a limited edition of 15 unnumbered copies.  $10 ppd. in the United States, $23 rest of world.



The final piece in my own "Mulholland Drive" puzzle.  This rework is the entire audio track of the film, manipulated and transformed into another epic length work of HNW-based audio destruction.  As with "Mulholland Drive (Addendum)," this piece moves through an awesome variety of textures, tones, melodies and sounds-at times brutally violent, at times despairingly calm and rumbling, at times almost contemplative in its "ambience" (ANW style), this 2.5 hour composition will take you deep into the dark heart of "Mulholland Drive," hopefully furthering the film's overall aura and presence.  I know "Mulholland Drive" is an enormously beloved (and important) Lynch film for a lot of his devotees (myself included!) and with these three works I've done my very best to engage a lot of the film's facets and concerns.  This isn't the key, but it is most definitely a door.  PLEASE NOTE that this is a DVD-R: you'll need a computer to extract the audio track.
Packaged in a DVD case in a limited edition of 5 hand-numbered copies.  $20 ppd. in the United States, $33 rest of world.



Companion volume to the larger ten disc set.  This single CDr rework of the "Mulholland Drive" soundtrack uses the entire OST as one piece (each song played back to back), which I manipulated and then processed into a gargantuan HNW suite (i realize that to not have some sort of audio violence in a rework to this film would represent something of a failure on my part in recognizing the film's overall tone and atmosphere.)  Far from being stagnant, this is a towering, undulating composition, encompassing moments of all out sludge drone, ANW, HNW, and various floating bits of noise detritus.  One of my most dynamic works, for sure.
Packaged in a DVD case in a limited edition of 5 hand-numbered copies.  $10 ppd. in the United States, $23 rest of world.



Massive rework of David Lynch's mindfucking doppelganger masterpiece "Mulholland Drive."  As with all of Lynch's work, the soundtrack here is killer, but for me this is one of the absolute best, a deep and emotional journey through horror and eros, meeting in the void where the two at last intertwine.  Very few people could title a track "Mountains Falling" and have the music live up to the imagery, but Lynch (as one half of Blue Bob on that particular track) does-the earth will crumble over the course of that track.  Worlds can fall apart.  Having Angelo Badalamenti on board is just the icing on the cake-pure audio melodrama, enthralling, gorgeous, dnagerous, and unknown.
In working with this score, I've gone all drone-seriously deep, thick, heady drone, to complement the film's preoccupation with epistemology and identity.  Many of these tracks eschew melody in favor of tone, but there are my usual moments of austere loveliness and frigid beauty buried down in the dark hearts of the tracks.  Many of these pieces are taken past 30 minutes, to provide as immersive and transcendent an experience through sound as the film provides through imagery.  I am very proud of this collection.
Packaged in a twin-volume DVD case (doppelgangers!) in a limited edition of 5 hand-numbered copies.  $65 ppd. in the United States, $78 rest of world.